Wednesday, May 20, 2009

Response

Shapely Prose-- a blog that I absolutely adore for its commitment to changing the way we view weight, fat people, and weight-loss-- has the following post up today:

I’m talking to a reporter who’s doing a story about what “messages” celebrities send with their weight-loss/weight-gain narratives. In her own words, she wants to know: “What was your reaction to Kirstie Alley’s and Oprah’s latest revelations? Did their descriptions of the shame and humiliation they felt about it make you feel normalized? Hopeless? Angry? Other?”

I wanted to include my response here:

I think the first response I had to both Oprah and Kirstie Alley was simply questioning why they continually choose to share their "pain" and "humiliation" with the rest of us. Do they think that their bodies are some type of report-card grade that has to be authorized by the general public? These women, especially Oprah, are pretty private about many areas of their personal lives- why do they feel their bodies are public property? Kirstie Alley's fame for the last decade or so has been based solely on her weight loss and weight gain, so it's not surprising to see another tabloid cover confession, I guess I just wonder why she allows that to be marketed to the degree that it is when she is a talented actress and undoubtedly has other things going on in her life aside from her weight.

Society has an ongoing conversation about younger celebrities who market themselves with their bodies (e.g., Paris Hilton/Kim Kardashian's fame spawning from sex tapes), but I think that Oprah and Kirstie exemplify the same cultural pressure to submit their bodies to scrutiny in the name of fame that the younger generations do; except, rather than being directly tied to their sexuality, it's to their weight (which is then connected to sexuality, but also a whole host of other "ills" such as laziness, selfishness, and stupidity). It's like they're Weight Sluts. We can envy Oprah for her billions, her fame, her success, her life, as long as at the end of the day we feel like we're better than her- that lazy, stupid bitch who can't keep the weight off.

Update: Was interviewed by the New York Times for my commentary. We'll see if I am actually quoted in the article that they post. Either way, I'll be posting a link to the article to this website as a way to further this interesting conversation. :)

Wednesday, May 13, 2009

Love

My ex-boyfriend is getting married.

To a very nice girl. A girl that is head-over-heels crazy about him. A girl who wants more than anything in the world to marry him. And, I should mention, a girl that I am friends with. And this is the part where we all say congratulations! and clap our hands for love, once again, conquering all and bringing people together.

Except lately, I've felt slightly behind in that cheer. Like that person always a measure behind in the song, or a beat too late when everyone is clapping in time.

A friend explained to me once that each year of her life feels as if it simply builds on the other years; builds, but doesn't replace the people we were before. So, in her mind, her 21-year old self still exists, her 5-year old self still exists, her 14-year old self still exists. And they all take up space and crowd for emotions. And, to me, it makes a lot of sense. The times I want to throw a huge fit and fling myself to the ground kicking and screaming and yelling "No! NO! NO!!!"? 3-year old self. Random road trip to California? Definitely 17-year old self.

I think this concept of selves explains a lot of my feelings about this marriage. The 26-year old self is super happy for them and wants nothing but the best. The 15-year old girl that was hopelessly, madly, achingly in love with him? Yeah, not so happy.

I realize this makes me sound slightly schizophrenic, but I think everyone has conflicting emotions from time to time. Times when you've been happy and sad. Times when you've been simultaneously angry and relieved. Dueling emotions, I think, are pretty common and I think they're usually the mind's response to sudden, unanticipated changes. They're what happens before we've had time to sort things out emotionally.

So I've felt slightly conflicted about it. I confess to avoiding Facebook for the past few days in an attempt to not get daily updates about the plans, or pictures of the ring, or whatever. Not because I've wanted anything to be different (I most certainly do NOT), but simply because every time I go to it, I have felt this swell of differing feelings and it's been disconcerting.

Last night my ex called me to give me updates about the wedding plans. He and the fiancee are making a trip out to Utah to hold a celebration with the friends and family here who will probably not make it to the actual ceremony. He wanted to know if they could use my house for the festivities. I have a good house for parties. A huge, flat yard with enough space for a good volleyball game. A beautiful living room with floor to ceiling windows that lend a gorgeous view of the mountains and the valley below. It makes sense to have it at my house. And so I agreed. And in a month and a half, we'll have a party for them here and it will be great, I am certain.

For some reason, this conversation was what I needed to get my emotions straightened out. I think it's because, in some strange way, this party is a way to satisfy all selves. It's a way to prove to myself that I kept my promise to him all those years ago- that I would love him for forever. It was more than a boyfriend thing- during that time period those people (the five of us) were my family and I still consider them thus. It's a way to spread that love over to her and solidify to the world that, in my life, they are now one and the same and, in a sort of Godfather sense, any person of his is a person of mine. It's a gift I can give. It's an affirmation of my long-standing belief that if you love someone, you love them for life. Without fail, that love changes and morphs and becomes something entirely different than you ever thought it would be, but at the end of the day, it's still love. And that's something worth celebrating.

So, with hands clapping synchronously to the beat, I say congratulations! I love you both.

Tuesday, April 28, 2009

All I have to say is: AMEN

People who don't understand why I can't stand Judd Apatow movies, please take note:

AMEN


*

Thursday, April 23, 2009

On Labeling: Why I think it's important to self-identify as a feminist

Talking to a friend today who was bitching about the fact that anyone who labels themselves is essentially "limiting" themselves to a particular set of traits, he brought up "feminists" as an example. It got me thinking about the labels I apply to myself and my own box. Why DO I identify as a feminist? So many women, when asked, respond to the question of feminism with something along the lines of, "I'm not a feminist or anything, but I do believe xyz about equality, gender norms, stereotypes, etc."

I guess my take on "labeling" is this: When you are a member of a group of society that is currently and historically marginalized, I think identifying yourself as part of the group is important. Not only does it allow other people within your (race, gender, sexual orientation, etc) to feel supported and less alone, it gives other people who know you the opportunity to confront their biases and prejudices in an empathetic setting. That is, because they care for you, they may see the group you belong to in a more sympathetic light. This is the motive behind the mass "coming-out" parties within the gay/lesbian communities and I think it's an effective way to advocate for change without getting in anyone's face.

To me, identifying myself as a feminist means that I unequivocally believe that women in today's society face a gender disparity. It means that I am willing to have a civil conversation about gender inequality with people who don't agree with me. It means that I support women who are marginalized. It means that I pay attention. It also means that I am willing to be a challenge stereotypes about feminist women: that they are angry dike bitches who want to get rid of men and rule the earth.

Friday, April 17, 2009

Sometimes a girl just wants to be happy

So, this woman, Susan Boyle performed on Britain's "Who's Got Talent" and basically blew everyone away. Today, Jezebel wrote an article questioning why it is that people are so excited about her:

The blogs are a-twitter with this Magical Woman, come to teach us Lessons. What fools we are! we self-castigate. Here's a dowdy lady who doesn't look like an American Idol contestant and we judge! Because she hasn't received validation from the patriarchy, we assume she's unworthy! And we were wrong! Stupid, stupid, shallow idiots! We judge! And are found wanting! Ad nauseam!

There is indeed something worrisome about plucking someone from obscurity and feting them for a week or so to make the rest of us feel better, reducing her to a two-dimensional character who reaffirms our belief in the Power of Dreams, never mind that Boyle seemed neither miserable before, nor particularly turned by the attention. (Indeed, she seems insufficiently willing to play the role for many of the interviewers, who seem reduced to portraying her as "lovable character" rather than "tragic redeemer.")

And sure, I guess I get that sort of criticism. I think there are definitely people out there who want to take Ms. Boyle and use her as a representation of the Great Hope for All Mankind or whatever- journalists, tv people, talk show hosts, sure. But that wasn't why I loved watching that performance.

I loved watching that performance because when you watch her sing, the sheer joy of singing almost overwhelms you. She is SO happy to be there, to be singing, to be on that stage (regardless of who she is or where she comes from) that you can't help but be moved by it, and the audience is and the judges are and for one beautiful moment you and everyone else are caught up in the triumph of music, of the moment, of the song, of her beautiful voice. For me, it was about that one pure moment of just utter love- not the stupid analysis that comes after it or the humble beginnings from which it sprung.

My brother and I had a discussion yesterday about whether it's rational to care about people you don't know. In this discussion, I was definitely the idealist of the two of us. I argued as rationally as I could that caring about others is not just the moral thing, but it's a necessity in a world where everything and everyone is so intricately connected. After the conversation though, I realized that although that's part of it for me, a large part of why I care about other people is because I want to believe in magic. I'm not talking about insipid tricks or potions or whatever- I'm talking about those very rare moments when the world seems to connect and life seems...possible. When you believe that all the shit that's happening in the world today can be overcome and even if not by you, by someone somehow. Susan Boyle's performance is an example of that for me where everyone is so surprised in those few brief moments that something (guard, cynicism, etc) is let down and everyone laughs and the whole world seems alight with childlike wonder. I want to believe in that.

And in things like this :)

Monday, March 2, 2009

A non-touching tribute to John Updike

John Updike died a while back. I read about it in the New York Times and actually said aloud, "About time." And not because I didn't like the man- but because there are simply not that many artists living that are considered an enduring part of the American experience. His contribution as such was accepted years ago with all those Rabbit books- and with that, it seemed like he could settle down and write whatever he wanted, knowing his obituary would be run in all the major papers. I had been expecting him to die ever since I learned he was still alive.

He wrote some things that I love and some things that I hated. We don't see eye to eye on what it means to be a woman, but he certainly understood things about being a man. His essay, "The Disposable Rocket" was one of my favorites in college. He wrote a lovely poem called "Dead Dog," which makes me burst into tears every time I read it, including this evening.

To create in this world is a risky experiment. It takes a tremendous amount of self-confidence to attempt to put anything out at all. If you're even remotely in the loop, you know that there are people better than you out there doing exactly what you do and saying what you say. No small amount of self-delusion is necessary to keep steam after that realization. Then there's the fact that some people, even people you love and respect, will not like what you create and will say as much. You can hurt people you love by creating. John Updike, for what it's worth, created anyway, for decades, and I think that's courage worth appreciating.

Thursday, February 26, 2009

A sudden, radical break from conventional wisdom

Regarding the new study just published stating that "cutting calories"- any calories- will reduce your weight, I present to you this article.

America has an eating disorder.